The full issue is few clicks away, but the introduction is brief, intelligent, and interesting.
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MSSU Art Theory
Thursday, March 15, 2012
Thursday, March 8, 2012
But is it Beautiful Art? - Abi Francis
But
is it Beautiful Art?
Joan Miro, Man with a Pipe. 1925.
Oil on canvas, 57 3/8 x 45". Private Collection, New York.
To
the uneducated eye, Joan Miro’s Man with
a Pipe may be less than appealing. The drab coloring with only one streak
of red, which doesn’t seem to make sense in the visual organization of the
image, may seem to work against the general aesthetic of the piece. This,
however, is not the case. Man with a Pipe
is truly a remarkable work with many characteristics that work together to
create an overall success as a piece of art.
To
begin with, the simplified elements in this composition allow the viewer to
appreciate the foundation that they provide to not just this painting, but all
art. One can see the value of the basic function of color and shape in
particular. The shape of the main figure leads the eye of the viewer through
the painting. The subtle difference in shading between the lighter grey of the
figure and the darker grey of the background is the perfect amount of variance
for the eye to sweep around the composition. The gentle overlapping of neutral
colors throughout the composition also offers variety to the painting, which is
more noticed due to the limited color palette. The color palette also provides
extra emphasis to the single red streak in the corner which effectively competes
with the smaller circles in the painting to create interest. The basic shapes
of the work imply, as the title suggests, a man with a pipe, but also leave
much to the viewer’s imagination. This artistic balance between reality and
creativity successfully hook the viewer and maintain interest.
Miro’s work cannot
be judged by the traditional standards of beauty. The beauty in this painting
lies not in the direct representation of the world, as much of society judges
beauty, but in the unique application of paint in a style belonging only to
Miro. To be honest, it doesn’t always take a complex thought process to create
a Realist work. You simply draw or paint what you see. The kind of beauty found
in this work is in the expression behind the brush stroke, the extensive
thought process behind every purposefully placed color and shape. The bar must
be set to a whole new level in order to encompass the matchless originality of
these fundamental elements of art. Man
with a Pipe may just be the Mona Lisa
of the 20th Century.
Color Field/Non-Representational, Abi Francis
As a self-portrait, I created a Rothko-inspired painting done in Gouache. Although this is no where close to the captivating portrayal of color that Mark Rothko and the other Color Field painters accomplished, the connection is still recognizable. The colors I picked were colors that I feel describes my personality.
Of Beauty and the Beast- Randi Bachman
Nolan Hendrickson.
Post 2007. Title unknown, Work as shown at the Ramiken Crucible in the
Lower East Side NYC.
Nolan Hendrickson’s work is often described as
carnival-like, cheeky, and overtly sexualized. It is all of that and just a smoosh more. His work is highly
charged in subject matter, social commentary, and vibrancy in color palette. A
flamboyant mix that counteracts a subject that is, as some might consider, an
in-your-face nod to a queer lifestyle with a lightness and flash. Its overt nature his work begs you to
sit and stay awhile, promising a goodtime.
The Painting has movement and body shapes that
evoke frolic and dancing as one might expect from Matisse or Warhol in the days
of Studio 54. All of which is like breathing a breath of fresh air, but
hearkening back to this familiarity of good times gone by. The work seems
playful and simultaneously the work seems unapologetic as it points to this
juxtaposition of reality and
fantasy. This piece especially I think speaks to a type of celebrity in the
triad of faces shown. Wearing a jacket that would look not out of place on
James Spader in a Brat Pack film, the figure seems to be approaching his
audience with a fresh face forward, complicated and on display. Walking a
catwalk behind the velvet rope, owning it even in gesture it as if the figure
itself is riding an imaginary horse, a horse called Fame. I think that in this sideshow approach
there is a beauty in is shamelessness and honesty.
Tuesday, February 28, 2012
Realism: Blaine Crocker
I created this image to relfect my goofy personality. Realism started because artist were tired of fabricating life and some of the injustices. Creating this piece I wasen't trying to make myself beautiful, I was just reflecting me.
Tuesday, February 14, 2012
Feminist Art Self Portrait By: Abi Irwin
This photo right here was created in Adobe Photoshop. Originally taken by a camera back in 2006. I really thought it would be a great idea to upload this and show everyone what feminist art is about. Now this isn't finished. I do plan updating this photo and publishing a new one. Hope you all like this one.
Monday, February 13, 2012
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